Playing at Pharaohs mic salute

Playing at Pharaohs mic salute

Perhaps our first international/transatlantic mic salute - Playing at Pharaohs from Glasgow.

"Supporting" Music

"Supporting" Music

Almost anyone you talk to will say they "support" music. To them, that usually means to go to a show, clap, and smile.However,   we live in an age where music is instantly produced by white plastic electronic devices for free. Why would any one pay for that? Musicans are just hobbysts who appear out of nowhere and 'have fun,' right?  It's getting more and more difficult to remind people that what musicians do is a service that has value, and they have bills to pay just like everybody else. Part of the campaign's goals is to educate the general public that music takes preparation: a poll we did a few years back indicated that on average, musicians spend four hours preparing for every hour that they're on stage.  Many do much, much more. 

Ba-dum.. flush!

Ba-dum.. flush!

Club musicians often work for zero guarantees, promote shows on their own time and their own dime,  and work other jobs as well. As a result, many musicians become expert in making the most of the limited time and space resources.   This guy even has his own budget definition for the term 'Drum throne!"

Bands are small businesses -- name your brand carefully!

Bands are small businesses -- name your brand carefully!

Look, Fair Trade Music is about helping musicians make better music by getting them at least a minimum wage. We're not here to save these miserable turds!  Raising the minimum to something above zero minus expenses does not preclude a meritocracy --  It's still up to venues to hire acts they think will make good business partners. Bands still have to do half of the promotion and entertain the crowd, keeping them there dancing, drinking, and wanting to come back.  If the band's good enough to hire, they're good enough to get a minmium wage. If they do their job well, they're worth more. 

Exposure Kills #2

Exposure Kills #2

Remember folks, Exposure can kill or find you on the wrong side of the law!  From "Four things every musician's gotta know:"  #4: Exposure kills.It's no coincidence that the overused term 'Exposure' refers to what kills you in bad weather - it's generally used to get artists to work for low or no compensation, under the shady  premise that there's a chance someone might see them that might give them some real work, or, worse yet, "Make them famous."  Booking agents will freely tout their venue's excellent exposure opportunity, yet tell you (in the same breath even!) that there's no built-in draw.  They don't even realize they're suggesting you'll get new fans, plus famous, by performing to an audience that you bring. 

Fair Trade Music Logo

Fair Trade Music Logo

Use this logo or our banner on your Website, Myspace, Facebook, Flyers and Posters to show your support for Fair Trade Music.

Art and Music Require Preparation

Art and Music Require Preparation

"Music is a day job."  According to a poll we did a few years back, musicians spend about three hours in preparation (not to mention travel, load-in, load-out, setup, teardown, promotion, and marketing) for every hour they spend on stage.  Performing is a service that involves preparation and expensesThere's no reason that service should be free. 

Can't Afford Gas

Can't Afford Gas

Most music fans see musicians on stage "having a good time," but they don't see that being an entertainer isn't usually entertaining, hence the slogan "Music is a day job."  According to a poll we did a few years back, musicians spend about three hours in preparation (not to mention travel, load-in, load-out, setup, teardown, promotion, and marketing) for every hour they spend on stage.  Performing is a service that involves preparation and expenses. There's no reason those services should be free. 

Hospitality doesn't pay the rent

Hospitality doesn't pay the rent

It's pretty common to offer 'hospitality' as part of the compensation.  It's a nice gesture, but a) it doesn't actually cost them much, b) money paid at a gig can be used to purchase other goods and services and c) unless your landlord really, really likes corn dogs, HOSPITALITY DOESN'T PAY THE RENT!  (NB: Yes, I've been asked to play out-of-town festivals in exchange for snack bar credits) 

For The Love, Brau!

For The Love, Brau!

There's nothing wrong with 'Doing it for the Love..."  when conditions are right.   If  absolutely everybody's donating their time, play your heart out.Otherwise, if you're doing it for the love and someone else is doing it for the money, that's not love.  You are getting screwed. Moreover, we're all in this same bathtub and it's not very big. So, like it or not, that gets us screwed, too! Stop it! Get a guarantee or say "no."

Yeah Brah, come and "Jam."

Yeah Brah, come and "Jam."

Ironically, it tends to only work on drummers. I'm sure this fits in to the "Should I Quit My Band" flow chart somewhere. 

Only if U organizez

Only if U organizez

U can, kitteh, if u workz w/ Fair Trade Musik 4 positive change "LOL" 

Should you quit your band?

Should you quit your band?

I have a different set of rules: 1) Are the other musicians similarly committed? 2) Does the band have a coherent vision and goals? 3) Do the other musicians insist on playing crappy, no-pay gigs?  if 1 or 2 are 'no' or 3 is yes, I leave.  Maybe that's 'cause I'm a decent drummer!  

Talent Simulator Pedal

Talent Simulator Pedal

This pedal comes in handy if your practice time is compromised by having to do all the promotion plus work a day job! 

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