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Talent Simulator Pedal

Talent Simulator Pedal

This pedal comes in handy if your practice time is compromised by having to do all the promotion plus work a day job! 

Playing at Pharaohs mic salute

Playing at Pharaohs mic salute

Perhaps our first international/transatlantic mic salute - Playing at Pharaohs from Glasgow.

Exposure Kat 1

Exposure Kat 1

from 'four things every musician's gotta know' #4: “Exposure” kills.It’s no coincidence that this term refers to what kills you in bad weather. Although genuinely valuable exposure opportunities show up, they’re quite rare. “Exposure” is almost always offered as a feeble excuse to try to get naive performers to work for low or no compensation, based on the mere chance of an intangible commodity of dubious real value. The term is so common that booking agents will tout their venue’s excellent exposure opportunity, yet tell you (in the same breath!) that the place has no built in draw and you'll have to bring your own following.  

We are all somebody

We are all somebody

We get this all the time: "Yeah, our band got screwed again last weekend.  Fair Trade Music?! Great idea brah. Let me know when you're done fixing things for me." Nope. Musicians are mired in a red sea of societal values.  We're not Moses... we're not even Chuck Heston. We're just the folks handing out buckets, and if we want to fix the current zero-minus-expenses, race to the bottom status quo, we all need to start bailing. In other words, we're all somebody.  Now do something!  You can start by signing up as an endorser here, and please be sure to check 'go to the next level.'  

"Supporting" Music

"Supporting" Music

Almost anyone you talk to will say they "support" music. To them, that usually means to go to a show, clap, and smile.However,   we live in an age where music is instantly produced by white plastic electronic devices for free. Why would any one pay for that? Musicans are just hobbysts who appear out of nowhere and 'have fun,' right?  It's getting more and more difficult to remind people that what musicians do is a service that has value, and they have bills to pay just like everybody else. Part of the campaign's goals is to educate the general public that music takes preparation: a poll we did a few years back indicated that on average, musicians spend four hours preparing for every hour that they're on stage.  Many do much, much more. 

Should you quit your band?

Should you quit your band?

I have a different set of rules: 1) Are the other musicians similarly committed? 2) Does the band have a coherent vision and goals? 3) Do the other musicians insist on playing crappy, no-pay gigs?  if 1 or 2 are 'no' or 3 is yes, I leave.  Maybe that's 'cause I'm a decent drummer!  

Metal Detector

Metal Detector

I'm not sure this requires explanation. 

One Trip!

One Trip!

Unless you're a piccolo or triangle player, remember to figure something in for 'Portage' in your job estimates. At the end of a three hour gig with three additional hours of load in, load out, setup, and tear down, you'll be glad you did.   

Art and Music Require Preparation

Art and Music Require Preparation

"Music is a day job."  According to a poll we did a few years back, musicians spend about three hours in preparation (not to mention travel, load-in, load-out, setup, teardown, promotion, and marketing) for every hour they spend on stage.  Performing is a service that involves preparation and expensesThere's no reason that service should be free. 

Yeah Brah, come and "Jam."

Yeah Brah, come and "Jam."

Ironically, it tends to only work on drummers. I'm sure this fits in to the "Should I Quit My Band" flow chart somewhere. 

Eating Music

Eating Music

Since this isn't actually possible, make sure you are getting paid enough to put real food on your table. You - and the other musicians in your market - will be better off for it.  

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