Music = Trabalho / Music is work?!

Music = Trabalho / Music is work?!

OK, for those non-lusophones: Panel 1: "Rock  show today! Half off with this flyer!"Panel 3: ("amp comes back broken") Panel 4: "And they say music isn't work?!"  

Musicians:

Musicians:

What do you think you're doing? 

Money for New Instruments

Money for New Instruments

Fans tend to forget how expensive gear is, and musicians apparently like buying it so much that they forget to figure the cost of amps, strings, cables, repairs, drums, heads, cymbals, mics, cases, effects, stands, etc. etc. into their overhead costs.  

For The Birds

For The Birds

from 'four things every musician's gotta know' #4: “Exposure” kills.It’s no coincidence that this term refers to what kills you in bad weather. Although genuinely valuable exposure opportunities show up, they’re quite rare. “Exposure” is almost always offered as a feeble excuse to try to get naive performers to work for low or no compensation, based on the mere chance of an intangible commodity of dubious real value. The term is so common that booking agents will tout their venue’s excellent exposure opportunity, yet tell you (in the same breath!) that the place has no built in draw and you'll have to bring your own following. 

Exposure Kills #2

Exposure Kills #2

Remember folks, Exposure can kill or find you on the wrong side of the law!  From "Four things every musician's gotta know:"  #4: Exposure kills.It's no coincidence that the overused term 'Exposure' refers to what kills you in bad weather - it's generally used to get artists to work for low or no compensation, under the shady  premise that there's a chance someone might see them that might give them some real work, or, worse yet, "Make them famous."  Booking agents will freely tout their venue's excellent exposure opportunity, yet tell you (in the same breath even!) that there's no built-in draw.  They don't even realize they're suggesting you'll get new fans, plus famous, by performing to an audience that you bring. 

Can't Afford Gas

Can't Afford Gas

Most music fans see musicians on stage "having a good time," but they don't see that being an entertainer isn't usually entertaining, hence the slogan "Music is a day job."  According to a poll we did a few years back, musicians spend about three hours in preparation (not to mention travel, load-in, load-out, setup, teardown, promotion, and marketing) for every hour they spend on stage.  Performing is a service that involves preparation and expenses. There's no reason those services should be free. 

One Trip!

One Trip!

Unless you're a piccolo or triangle player, remember to figure something in for 'Portage' in your job estimates. At the end of a three hour gig with three additional hours of load in, load out, setup, and tear down, you'll be glad you did.   

NEANDERTALLICA!

NEANDERTALLICA!

Early hominid musicians didn't want or need to ask for guaranteed wages. They also didn't have bills to pay! To those musicians who continue to agree to perform for low and no wages, And to those content to complain about the state of things, yet unwilling to take action for positive change, I say:Quit with the knuckle-dragging and evolve!  

We are all somebody

We are all somebody

We get this all the time: "Yeah, our band got screwed again last weekend.  Fair Trade Music?! Great idea brah. Let me know when you're done fixing things for me." Nope. Musicians are mired in a red sea of societal values.  We're not Moses... we're not even Chuck Heston. We're just the folks handing out buckets, and if we want to fix the current zero-minus-expenses, race to the bottom status quo, we all need to start bailing. In other words, we're all somebody.  Now do something!  You can start by signing up as an endorser here, and please be sure to check 'go to the next level.'  

Can't pay rent with beer

Can't pay rent with beer

Even Canada Cat has to make rent. 

Should you quit your band?

Should you quit your band?

I have a different set of rules: 1) Are the other musicians similarly committed? 2) Does the band have a coherent vision and goals? 3) Do the other musicians insist on playing crappy, no-pay gigs?  if 1 or 2 are 'no' or 3 is yes, I leave.  Maybe that's 'cause I'm a decent drummer!  

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