For The Birds

For The Birds

from 'four things every musician's gotta know' #4: “Exposure” kills.It’s no coincidence that this term refers to what kills you in bad weather. Although genuinely valuable exposure opportunities show up, they’re quite rare. “Exposure” is almost always offered as a feeble excuse to try to get naive performers to work for low or no compensation, based on the mere chance of an intangible commodity of dubious real value. The term is so common that booking agents will tout their venue’s excellent exposure opportunity, yet tell you (in the same breath!) that the place has no built in draw and you'll have to bring your own following. 

Show in News Feed

Show in News Feed

Do you like us? Would you like to see our posts? 

In order to create advertising sales, Facebook recently started using fancy language and fancy programming to ensure that only about 15% of posts are actually seen by the people that 'like' that page.  That's a bummer, becuase we think our posts are pretty great!

If you agree, please go to our page, hover over the "like" button, and click "Show in news feed."  

(click 'get notifications' if you REALLY like us)

Thanks! 

Exposure Kat 1

Exposure Kat 1

from 'four things every musician's gotta know' #4: “Exposure” kills.It’s no coincidence that this term refers to what kills you in bad weather. Although genuinely valuable exposure opportunities show up, they’re quite rare. “Exposure” is almost always offered as a feeble excuse to try to get naive performers to work for low or no compensation, based on the mere chance of an intangible commodity of dubious real value. The term is so common that booking agents will tout their venue’s excellent exposure opportunity, yet tell you (in the same breath!) that the place has no built in draw and you'll have to bring your own following.  

For The Love, Brau!

For The Love, Brau!

There's nothing wrong with 'Doing it for the Love..."  when conditions are right.   If  absolutely everybody's donating their time, play your heart out.Otherwise, if you're doing it for the love and someone else is doing it for the money, that's not love.  You are getting screwed. Moreover, we're all in this same bathtub and it's not very big. So, like it or not, that gets us screwed, too! Stop it! Get a guarantee or say "no."

Yeah Brah, come and "Jam."

Yeah Brah, come and "Jam."

Ironically, it tends to only work on drummers. I'm sure this fits in to the "Should I Quit My Band" flow chart somewhere. 

HOBBY?!

HOBBY?!

from 'four things every musician's gotta know' #1: Hobby vs. Service.  A hobby is noncommercial. You can start and stop whenever you want, you don't have to work continuously to hone it, spend time and money advertising it, or carry equipment. However, when the time, place, duration, and high quality are all specified, that's not a hobby any more-- It's a service, especially in a business BASED on (making money from) that service.

"Supporting" Music

"Supporting" Music

Almost anyone you talk to will say they "support" music. To them, that usually means to go to a show, clap, and smile.However,   we live in an age where music is instantly produced by white plastic electronic devices for free. Why would any one pay for that? Musicans are just hobbysts who appear out of nowhere and 'have fun,' right?  It's getting more and more difficult to remind people that what musicians do is a service that has value, and they have bills to pay just like everybody else. Part of the campaign's goals is to educate the general public that music takes preparation: a poll we did a few years back indicated that on average, musicians spend four hours preparing for every hour that they're on stage.  Many do much, much more. 

Metal Detector

Metal Detector

I'm not sure this requires explanation. 

Musicians:

Musicians:

What do you think you're doing? 

Subscribe to Fair Trade Music Newsletter